 by NPR Music I never expected to see Daniel Caesar at the Tiny Desk again. Caesar's 2018 performance is nearly untouchable: currently in the top 15 most viewed Tiny Desk concerts on YouTube, showcasing his best work at that point in his career. But reflecting on the vulnerability and intimacy of 2025's Son of Spergy, I felt like my arm was twisted, knowing he had to come back. This album, our space, along with the shared vision for how it would unfold, gave the green light for part two. In the eight years since we last saw the Canadian singer-songwriter, he's remained consistently brilliant, yet he seemed to be searching. Throughout that search, spirituality has been a constant — from his debut, Freudian, to the two albums that followed, CASE STUDY 01 and NEVER ENOUGH. Son of Spergy feels like the completion of a pilgrimage and a newfound sense of acceptance. Here at the Desk, the presentation is simple: an upright piano, a guitar and Caesar, lifted by a 12-piece choir. From note number one, I, along with the audience of NPR staffers, was instantly stunned by the power of the choir and how Caesar effortlessly led them. At the conclusion, there's a pause before applause. There may have been others in the crowd who felt what I felt: This is one of the most transcendent moments at the Tiny Desk. SET LIST "Rain Down" "Emily's Song" "Moon" "Who Knows" "Sins of the Father" MUSICIANS Daniel Caesar: vocals, guitar, piano Aver Ray: piano, music director, background vocals Tiana Kruškić: choir director, background vocals Yanina: background vocals Carmi Harris: background vocals Alanna Ysabel: background vocals Mia Taylor: background vocals Myranda Pagan: background vocals Joshua Taylor Brown: background vocals Wayne Wilson: background vocals Malik Spence: background vocals Cmaze: background vocals Chris Jackson: background vocals Daron Lameek: background vocals TINY DESK TEAM Producers: Bobby Carter, Dhanika Pineda Director/Editor: Maia Stern Audio Technical Director: Josh Newell Videographers: Maia Stern, Joshua Bryant, Kara Frame Audio Engineer: Josephine Nyounai Production Assistants: Dora Levite, Ashley Pointer Photographer: Virginia Lozano Series Editor: Lars Gotrich Executive Producer: Suraya Mohamed Executive Director: Sonali Mehta Series Creators: Bob Boilen, Stephen Thompson, Robin Hilton  The industry plant accusations coming from misogynists and dummies. Doechii and SZA just raised the bar with their new music video, delivering pure artistry, attitude, and emotion in every frame. Blending Doechii’s fearless edge with SZA’s soulful magnetism, the visual is a bold celebration of individuality, power, and creative freedom. It’s not just a video—it’s a moment, and it’s already setting the tone for what’s next in culture. Stream//Download "Alligator Bites Never Heal" here: https://doechii.lnk.to/ABNH  by Elevator Music To kick off 2026, the Montreal producer and legend, Kaytranada, steps into the Elevator for a live set that moves effortlessly between house, soul, and R&B and is guaranteed to make you dance.
n addition to rapping, he is deeply involved in music production, shaping his work from concept to final mix. His catalog includes multiple independent releases available across major streaming platforms. Beyond recorded music, Jayswifa is a Father who actively participates in community-focused, collaborative projects, reflecting a commitment to hip-hop as both an art form and a cultural movement. His career represents the path of an independent artist building longevity through consistency, versatility, and creative control. Enjoy his latest album 'Palo Santo' here on All Channels Watch the music video for 'Set It Fire' below:
 Bunny is the debut project from 22-year-old London-based singer and pianist, Sandy. This five-track EP, written and co-produced by the singer, traces a journey through emotional change, reflected in both the lyrics and the shifts in sound across the project. Moving between soft R&B and dreamy, fairy-tale-like ballads, each song captures a distinct emotional state. The EP opens with the gentle, reflective Oh Dear, I Shall Be Late!, a classical-inspired track that feels peaceful and still, before moving through emotionally rich highlights like The Otherside and Sunshine.  The Otherside is a tender exploration of friendship and loss, capturing the bittersweet feelings of drifting apart from someone close. With heartfelt lyrics and delicate instrumentation, it contrasts with the explosive, Pop-Trap energy of Sunshine, which channels teenage angst and self-reflection through bold synths, layered harmonies, and a Trap-inspired beat.
At the heart of Bunny is Sandy’s rich and delicate voice, guiding listeners through themes of loss, emotional coldness, and personal transformation. Across the EP, Sandy’s journey from introspection to expressive, electronic sounds mirrors the growth and self-discovery embedded in the songs. Bunny marks an impactful debut for an artist whose music blends vulnerability with sonic ambition.
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